Australia, (b. 1945)
The Sun Hunters
- In old stories the jungle was busy
- eating explorers. Jaguars, pythons,
- piranhas, and giant wife-seizing apes–
- the rank green bubbled with them.
- You used your ten cartridges a day.
- The rainforest is really too busy
- to feel you passing through.
- (Pity the Spanish conquistadors
- marching for months in full armour!)
- Mammals in a jungle are harmless hangers-on,
- though the forest is magic. Twenty years will turn
- the farmer’s pink elapsed porker
- to labrador-sized black foraging swine.
- The game of strangle-my-neighbour
- leaves little time for assaults
- on inedible bipeds–the real prize
- in a jungle is not white flesh
- but a place in the sun.
- From above you see only the glorious
- Upper Circle, not the slums beneath.
- Even parasitic festoons seem gay,
- those tons of creeper riding
- on strangled boughs. But this is like
- judging a country by its brochure.
- Down below is the gloom of green knives.
- Where cedar seeds patter to ground
- a thicket of embryos starts the long climb.
- Creepers fling lassoes, wrestle them
- down to the soil like roped calves.
- Promising thrusts to the canopy
- are torn up by pigs,
- blasted by a half-dozen caterpillars.
- (A blue Ulysses floats on up
- from the sapling it has doomed.)
- The stillness is of impending death:
- wrestlers waiting for neckbones to crack.
- The name of this pattern is Balance of Scarceness:
- the rarer the tree, the scarcer what eats it–
- ichneumon eats caterpillar, eats tree, eats light …
- The strangler-fig sends out cathedral flanks,
- vast in its leafless underworld, composing
- a Gothic hall of arc-and-secant roots
- around the plundered trunks.
- Lianas lace all against the storm
- –guy-ropes bracing a miles-square tent,
- its poles all slightly suspect.
- Master of all is old Python-trunk, the Aristolochia.
- Follow him, and you re-live history. Here
- he began, spiralling up sheer
- through thirty dark metres;
- the Indian-rope trick speaks
- of a host-tree, rotted and gone,
- whose dimensions show
- in the oak-thick swaying coils
- like lathe-turnings run to fat.
- There, near the river, he surged to the light,
- roamed for a decade over the mangroves,
- returned to the land.
- Here a side-stem has touched soil
- and sent out suckers. Fed from rhizomes below,
- they twine like smooth cords
- leafless until they reach the light.
- Some, missing their hold at the canopy
- hang the giddy way down.
- Others have twined their hopes
- up a cycloned-off stump that ends bare
- half-way to the sun–
- around it the stems mat and dangle,
- stranded on a rotting trapeze.
- Here his main-stalk straddled a dying white-cedar
- and fifty years later fell down in spirals
- that hang like the bowels of a gutted pig.
- For five years he tried to save himself
- festooning the underbrush with coils of flute-edged wood,
- till down on his luck he sprawls,
- waist-thick, where a sapling snapped.
- He rubs on the ground, striking roots, then rises sheer
- as a bell-pull, the rope of a cathedral bell,
- up into the light to smother a hectare.
Mark O’Connor. The Olive Tree: Collected Poems 1972-2000. Sydney: Hale and Iremonger (2000).
About the Poet:
Mark O’Connor, Australia, (b. 1945), is a poet, writer, and environmental activist. He has published more than twelve books of poetry, many with a special focus on the natural environment. Particular natural regions of Australia such as the Great Barrier Reef and the Blue Mountains are the theme of some books, and O’Connor has collaborated with renowned nature photographers in several text/photo publications.
Additional information:
- Mark O’Connor – Australian Poet: a blog about population, sustainability — and sometimes literature or gardening.