United States, (b. 1975)
Dear Boar,
- but for whom, my first entry into the state of Alabama,
- coming in just before midnight through Tupelo,
- a smear of a town, famous mostly for giving birth
- to the careering mess and mass of the velvet pelvis
- we call Presley, would have been uneventful,
- and so I thank you for your sacrifice–
- the gristle of your side against my Maxima’s grille,
- a kind of duel that you met and swiftly lost.
- This was one of many road incidents in Mississippi,
- a state that’s grown to hate me,
- for every time I’ve driven through it at night,
- even after proper pauses at gas stations to pour libations
- to Jesus, god of the South and of the moss and of the rusty
- crosses stuck deep in the holy roadside mess,
- I have met my match in trash on the road,
- one time you, boar, cur–that bit of fur shoved up under
- the dashboard somehow through the vents, an interrup-
- tion in my bored dash dot dash dot dash dot dash
- to and from Tuscaloosa, home of the Crimson Tide and
- Bear Bryant’s angry, lonely, reanimated corpse.
- The second time, harangued
- by some kind of metal box
- that amputated most of my exhaust system,
- on the way home from Shreveport, Louisiana,
- city of a 24-hour-lit disc golf course and a serious
- problem with pornography, and my friends
- who live there in what they term (don’t ask) “The Chicken Ranch.”
- After impact, my sad lope home
- punctuated by road spark singing along
- with my trailing muffler for the last one hundred miles.
- I don’t ask any kind of forgiveness, boar,
- as I don’t believe in it, and it’s unclear
- what’s become of you–I saw you only in my lights
- in impact and forever from the rear,
- a burst of ham ambling afterward into the trees,
- pissed-off conventioneer in search of your last
- convention.
- And I see you circling back in dreams,
- in the temperature of fur I picked out of the grate
- (there is always more of it: tied flies
- barbed later in my brother’s shoulder, that Russian winter
- hat I wore through most of eighth grade in my short life
- as a Communist, the dried out dandelion bursts
- that haunt late summer evening air in Iowa
- like paratroopers, like perspiration).
- I could almost see you sneer
- as if to say that you knew and had seen things
- that I did or would or could not handle: the breast of light
- crashing through the burdock, the souvenir
- bone picked clean after the last big winter freeze,
- what’s left of my unhappiness, evidenced by Prozac
- and Sisters of Mercy records played at top volume,
- my inebriated roommate perforating the dorm room walls with fists.
- Your life exists opposite of mine–my quick exodus
- from the crime scene South, your fall and rise,
- return to all the glistening bristle in the world down there,
- and we are thus in this together, mythological gerbil
- and Richard Gere; drunken night and bathtub filled with ice,
- and scar fresh-stitched across the belly; pan flute and Zamfir
- playing it, repeating now on television, on the run
- inexplicably from the KGB, soothing music
- like a Bronx cheer in an elevator.
- Friend Gemini, fur twin, if it must go down like this,
- I won’t complain, you be my dueler, my duende, doppelganger,
- and we will meet later in this fiscal year to bout with tusks
- or puns or guns at dawn. You, the prosecution; I defense:
- after voir dire and the commencement of the trial, we’ll meet
- over chill beers in cozies with your brother, the aerospace engineer
- –have I taken this too far? should I proceed?
- should I stay here or veer away from sound?–
- to discuss the elasticity of shear (waistband returning
- to its original form, post-snap and unforgiving welt),
- and how that might come to bear on those
- who troll the woods with fire, with lights and camouflage
- and guns and beer, those hunters with their loneliness
- and chew and scopes and silent hours, that perfect sphere
- of a day spent without intention or interruption by form,
- that constant threat of being shot at or hit
- and shoveled to the side of rural route number five,
- that burden that the deer bore.
© Ander Monson. The Available World. Louisville, KY: Sarabande Books (2010).
About the Poet:
Ander Monson, United States, (b. 1975), is a novelist, poet, and nonfiction writer. He is the author of six books and a personal website, among other things. He edits the fine online journal DIAGRAM, the website Essay Daily, and is the editor and publisher of the New Michigan Press. He lives in Tucson, Arizona, and teaches at the University of Arizona. [DES-09/19]
Additional information:
- DIAGRAM is an electronic journal of text and art.
- Essay Daily – a space for conversation about essays and essayists
- Ander Monson’s personal website
- Ander Monson – @angermonsoon – on Twitter