Australia, (1923-2002)
Still Lives
(excerpt)
- Uncles and aunts and country cousins
- all are dead and buried
- dry as bone dust
- powdering the wind
- they sift the dark fields
- of my mind…
- 1
- My Aunt Alice
- wore a ravishing black wig
- on the Melbourne tram
- but at home
- when she went to feed the pigs
- each evening
- she wore a plain white cotton cap
- to cover her sore bald head
- the pigs in their wooden sties
- lifted their snouts from the trough
- they watched her
- hairless beautiful her scalp on fire
- carrying their slops
- through the calm evening air
- when she lifted the bucket and poured
- their little eyes glowed
- they raised their trotters up
- as if they were praying.
- That is how I like to remember Aunt Alice
- with her worshipful pigs
- and the bats flying
- that would never catch
- in her hair.
- 2
- The pigs are squealing from their sties
- they stink they hunger for love
- they long for dead Aunt Alice
- who will never come again
- with her white arms
- heavy with those beneficent buckets
- their mild eyes blink they dream
- of paddocks full of dandelions
- cold streams fresh earth
- to roll in clean
- hogs’ bristles and pink skin.
About the Poet:
Dorothy Coade Hewett, Australia (1923-2002) was a poet, novelist and playwright. She was also a feminist and a member of the Communist Party.
Dorothy Hewett wrote many collections of poetry, novels, an autobiography and plays, as well as many articles and short stories. She is best known for her semi-autobiographical play The Chapel Perilous (1971) and the musical play, The Man From Mukinupin (1979).
Frequently confessional and romantic in tone, Hewett also made use of humor and a variety of verse forms to create her poetry. She crafted her works to directly engage readers with themes of ideology, sexuality, ageing, and personal experience, as well as her views on feminist and Communist ideology. [DES-02/18]