United States, (b. 1966)
Cesarean
- I.
- There was an opera playing—
- I remember that—
- so beautiful, a modern piece sung by a woman
- whose name I would never remember,
- although the surgeon spoke it once, softly,
- through his mask, and I strained to hear
- past the clatter of implements on silver trays,
- the bustle of the scrub nurses,
- the murmurs of the anesthesiologist holding my head,
- his tray of gauze strips fluttering like prayer rags—
- II.
- They’d pinned my arms down
- like a butterfly’s wings;
- I had no feeling from the waist down;
- a dreaminess took hold:
- and the woman’s voice kept wandering
- in and out of the minutes, pulling
- my mind after it, the notes
- stretched so far the words had become
- unintelligible—
- The light was as bright as the sun
- over an excavation site;
- they were cleaning the area,
- taking up their tools—
- III.
- Down and down through a slit
- in the world, earth
- falling away on both sides, past
- history, botched experiments, sepsis,
- Jacob the pig-gelder begging permission
- to cut open his wife
- in labor for three days; past
- legend, Caesar cut whole
- from his mother;
- and deeper still, myth: Bacchus
- slit from Zeus’ thigh,
- Athena bursting fully-armed from his head,
- as whatever is unmothered, torn
- from its context, becomes
- holy—
- IV.
- Jars, funeral urns, broken pieces
- of pottery still glazed with their lovely enamels,
- necklaces of lapis and ivory, gold
- crowns encrusted with dirt, the mound
- of the ancient city, and the mind,
- sharp as the pig-gelder’s knife—
- V.
- There was something in me;
- I’d felt it for such a long time,
- and now they were digging to find it,
- but not like the archaeologist finding
- the glint of something precious
- in the earth, no, not as gentle
- as that freeing, with its brushes
- and soft cloths, more like
- a robin tugging at a worm
- stuck fast in the earth,
- pulling with all its weight—
- VI.
- On the plain, the tumulus
- swollen with artifacts; in the distance
- men bending and cutting, digging
- then pausing to lean on their shovels
- in the hot sun, sweat pouring down their backs;
- from where I was, it did not look
- like delicate work, more like
- hard labor: burnt grass, a broken wall
- or two, goats grazing
- casually in the shade, and high up in the trees
- that ceaseless singing—
- VII.
- At last they found what they were looking for.
- I heard a voice ask, What is it? What is it?
- They were cleaning something, holding it up to the light—
© Lillias Bever. Bellini in Istanbul. Dorset, VT: Tupelo Press (2005).
About the Poet:
Lillias Bever, United States, (b. 1966), is a poet, book reviewer and educator. Bever received a B.A. from Vassar College, and an M.F.A. from the University of Oregon. Her work has appeared in Poetry, Gettysburg Review, New England Review, Seneca Review, Pleiades, and others.
Bever has earned numerous awards and honors, including a fellowship from the Artist Trust/Washington State Arts Commission, an award from the Seattle Arts Commission, and residencies at both the MacDowell Colony and the Millay Colony for the Arts. [DES-01/22]