Bever, Lillias

United States, (b. 1966)

Cesarean

  1. I.
  2.  
  3. There was an opera playing—
  4. I remember that—
  5. so beautiful, a modern piece sung by a woman
  6. whose name I would never remember,
  7. although the surgeon spoke it once, softly,
  8. through his mask, and I strained to hear
  9. past the clatter of implements on silver trays,
  10. the bustle of the scrub nurses,
  11. the murmurs of the anesthesiologist holding my head,
  12. his tray of gauze strips fluttering like prayer rags—
  13.  
  14. II.
  15.  
  16. They’d pinned my arms down
  17. like a butterfly’s wings;
  18. I had no feeling from the waist down;
  19. a dreaminess took hold:
  20. and the woman’s voice kept wandering
  21. in and out of the minutes, pulling
  22. my mind after it, the notes
  23. stretched so far the words had become
  24. unintelligible—
  25.  
  26. The light was as bright as the sun
  27. over an excavation site;
  28. they were cleaning the area,
  29. taking up their tools—
  30.  
  31. III.
  32.  
  33. Down and down through a slit
  34. in the world, earth
  35. falling away on both sides, past
  36. history, botched experiments, sepsis,
  37. Jacob the pig-gelder begging permission
  38. to cut open his wife
  39. in labor for three days; past
  40. legend, Caesar cut whole
  41. from his mother;
  42. and deeper still, myth: Bacchus
  43. slit from Zeus’ thigh,
  44. Athena bursting fully-armed from his head,
  45.  
  46. as whatever is unmothered, torn
  47. from its context, becomes
  48. holy—
  49.  
  50. IV.
  51.  
  52. Jars, funeral urns, broken pieces
  53. of pottery still glazed with their lovely enamels,
  54. necklaces of lapis and ivory, gold
  55. crowns encrusted with dirt, the mound
  56.  
  57. of the ancient city, and the mind,
  58. sharp as the pig-gelder’s knife—
  59.  
  60. V.
  61.  
  62. There was something in me;
  63. I’d felt it for such a long time,
  64. and now they were digging to find it,
  65. but not like the archaeologist finding
  66. the glint of something precious
  67. in the earth, no, not as gentle
  68. as that freeing, with its brushes
  69. and soft cloths, more like
  70. a robin tugging at a worm
  71. stuck fast in the earth,
  72.  
  73. pulling with all its weight—
  74.  
  75. VI.
  76.  
  77. On the plain, the tumulus
  78. swollen with artifacts; in the distance
  79. men bending and cutting, digging
  80. then pausing to lean on their shovels
  81. in the hot sun, sweat pouring down their backs;
  82.  
  83. from where I was, it did not look
  84. like delicate work, more like
  85. hard labor: burnt grass, a broken wall
  86. or two, goats grazing
  87. casually in the shade, and high up in the trees
  88.  
  89. that ceaseless singing—
  90.  
  91. VII.
  92.  
  93. At last they found what they were looking for.
  94. I heard a voice ask,   What is it?   What is it?
  95. They were cleaning something, holding it up to the light—

© Lillias Bever. Bellini in Istanbul. Dorset, VT: Tupelo Press (2005).

About the Poet:

Lillias Bever, United States, (b. 1966), is a poet, book reviewer and educator. Bever received a B.A. from Vassar College, and an M.F.A. from the University of Oregon. Her work has appeared in Poetry, Gettysburg Review, New England Review, Seneca Review, Pleiades, and others.

Bever has earned numerous awards and honors, including a fellowship from the Artist Trust/Washington State Arts Commission, an award from the Seattle Arts Commission, and residencies at both the MacDowell Colony and the Millay Colony for the Arts. [DES-01/22]

Additional information:

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