United States, (contemporary)
LIVING WITH ANIMALS
- It has been said that dogs drink at the River
- Nile while running along that they might not be
- seized by crocodiles.
- These mornings I lie awake listening for signs
- of life in the house: the scurrying of mice
- in the eaves, the tick of birds in the gutters,
- the sure-footed step of love outside my door.
- Grumbling, I rise. The darkness has washed me
- clean of shadows. I am a groundhog emerging
- on the last day of the year, squinting down
- light tumbling in pieces behind me, shapes of
- where I’ve been, no idea of what’s to come.
- Of a concrete nature, it’s Sunday: ribs and
- God and rest, the long slow grinding down of
- afternoon, the inevitable ride toward darkness,
- animals fading in the fields, at the sides of
- roads. We cross the bridge to Arkansas, our
- hands in our laps, the radio playing hymns,
- “this blinding light that comes with love”
- is nothing now, a failure, the sad overloading
- of the heart’s circuits, this dark house
- condemned by love, condemned by love.
- It is another light that divides us now, clear
- shapes again in the fields, in the mirror, at
- the edge of roads: yellow dogs, for instance,
- their fur muddied and bedraggled, casualties
- of the river, perhaps, or of morning: how when
- I see white teeth bared sideways to the sun,
- the pale conversion of tongue to dust, the
- befuddled cowlick along the spine, I think of you,
- how we outran the danger but surrendered to time.
- It is growing dark. At the edge of the fields
- the levee rises like a brown serpent feeding on
- fireflies. Our separate lives, I suppose, have
- never stood much of a chance. But think of
- the animals we have known and feared and
- nurtured in this black of night and know
- fear leaves us all head down at last, running
- blindly along some river and always alone.
- At home in my room I listen: the pear tree
- outside my window is a blasphemy of evening birds.
- They chatter as if daylight had never before abandoned
- them. I think it is so. Sometime later, I make tea
- and write you these words: in a forest of peccaries,
- a wart-hog is the sole dissenter. In a forest of
- wart-hogs, a peccary is a welcome sound. In a forest
- of both, bread crumbs make not a hair’s breadth of difference.
Margaret Kent. The Pushcart prize IV, 1979: best of the small presses. Yonkers, NY: Pushcart Press (1979).
About the Poet:
Margaret Kent, United States, (contemporary), is a poet. She lives in Greensboro, North Carolina and has been published in several literary magazines including Poetry and Paris Review. [DES-03/22]
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