Kent, Margaret

United States, (contemporary)

LIVING WITH ANIMALS

  1. It has been said that dogs drink at the River
  2. Nile while running along that they might not be
  3. seized by crocodiles.
  4.  
  5. These mornings I lie awake listening for signs
  6. of life in the house: the scurrying of mice
  7. in the eaves, the tick of birds in the gutters,
  8. the sure-footed step of love outside my door.
  9. Grumbling, I rise. The darkness has washed me
  10. clean of shadows. I am a groundhog emerging
  11. on the last day of the year, squinting down
  12. light tumbling in pieces behind me, shapes of
  13. where I’ve been, no idea of what’s to come.
  14.  
  15. Of a concrete nature, it’s Sunday: ribs and
  16. God and rest, the long slow grinding down of
  17. afternoon, the inevitable ride toward darkness,
  18. animals fading in the fields, at the sides of
  19. roads. We cross the bridge to Arkansas, our
  20. hands in our laps, the radio playing hymns,
  21. “this blinding light that comes with love”
  22. is nothing now, a failure, the sad overloading
  23. of the heart’s circuits, this dark house
  24. condemned by love, condemned by love.
  25.  
  26. It is another light that divides us now, clear
  27. shapes again in the fields, in the mirror, at
  28. the edge of roads: yellow dogs, for instance,
  29. their fur muddied and bedraggled, casualties
  30. of the river, perhaps, or of morning: how when
  31. I see white teeth bared sideways to the sun,
  32. the pale conversion of tongue to dust, the
  33. befuddled cowlick along the spine, I think of you,
  34. how we outran the danger but surrendered to time.
  35.  
  36. It is growing dark. At the edge of the fields
  37. the levee rises like a brown serpent feeding on
  38. fireflies. Our separate lives, I suppose, have
  39. never stood much of a chance. But think of
  40. the animals we have known and feared and
  41. nurtured in this black of night and know
  42. fear leaves us all head down at last, running
  43. blindly along some river and always alone.
  44.  
  45. At home in my room I listen: the pear tree
  46. outside my window is a blasphemy of evening birds.
  47. They chatter as if daylight had never before abandoned
  48. them. I think it is so. Sometime later, I make tea
  49. and write you these words: in a forest of peccaries,
  50. a wart-hog is the sole dissenter. In a forest of
  51. wart-hogs, a peccary is a welcome sound. In a forest
  52. of both, bread crumbs make not a hair’s breadth of difference.

 Margaret Kent. The Pushcart prize IV, 1979: best of the small presses. Yonkers, NY: Pushcart Press (1979).

About the Poet:

Margaret Kent, United States, (contemporary), is a poet. She lives in Greensboro, North Carolina and has been published in several literary magazines including Poetry and Paris Review. [DES-03/22]

 • Biographies here are short. Yet all the poets presented have fascinating lives. And they have created a bountiful trough of treasures beyond these works. Please root on about those you enjoy! I hope you find something informative, meaningful or that provokes your further contemplation.

NOTE: Additional information on this poet is needed here. Please contact me if you can help at https://www.porkopolis.org/contact/ or use the comment section below. Thank you.

Leave a Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.