New Zealand, (b. 1947)
leaf torn and storm
In memory of the late, great planet earth
- for many days the wind blew… and blew
- huffed and puffed at the doors
- at the windows at the roof at
- the foundations
- like the wolf in The Three Little Pigs
- ‘Little pig, little pig, let me come iiinnnn…’
- with the wind came a great bulk of sand to pile up
- pile up, pile up, pile up, pile up
- whispering against the vertical axis
- against every available smile, every fruitless prayer or easy evasion,
- every fairy-tale dream, every house of straw and sticks
- tempering corners with an insidious softness
- and sifting down from eaves and ceilings, like the past itself,
- the history of the world, Virgil’s guided tour
- of extreme weather events in 3D, in real time
- Little pig, little pig…
- walls, streets, fences, roads and distances
- all vanish
- into the general, implacable undulation –
- sometimes it is quiet, constant and forever,
- or quick and violent,
- but always it moans like a martyr
- from a simple rustle to a chainsaw roar
- always it is the wind, nothing more
- and always it cries in our broken sleep
- I’ll huff and I’ll puff and I’ll blow your house down
- as patches of air boil with memory
- and the echo of warrior voices
- curtains of sand drift with eerie, sinuous slowness
- across the streets and over the houses as if they were women
- on their way home after a hard day’s work –
- pieces of kelp walk erect, as if possessed of skeletons
- lumps of tussock grass do
- tumbleweed somersaults like circus performers
- spiders surf the air with grim equanimity –
- bits of paper, a love letter to Beatrice,
- family photographs whirling like confetti,
- a sock biting its own tail, a floppy doll spinning
- spread-eagled limbs, a pair of trousers racing
- helter-skelter down the road with
- legs of wind
- over the garden whirligigs are doing a
- potato and carrot dance
- to the sound of pan pipes and maypole music
- while
- a tricycle with only one wheel
- limps in circular memory,
- while
- lumps of timber do dangerous back flips
- while
- a piece of rusty corrugated iron revolves like a roulette wheel
- while
- in the houses of money where the odds are running
- and in the houses of the dead, where the odds have run out
- the corpses are set walking into the good night
- in search of collateral and a handy bunker
- Little pig, little pig…
- there are dreamy shards of glass in motion
- like, she said, everybody’s dreams all mixed up
- flying about in the real world, like, she said,
- sweeping out the house until our brooms runs out of faith
- until only our feet can dream,
- until our bodies shake, oh how they shaky-shake-shake,
- in the stinging air
- air opaque with stinging sand
- houses buried, uncovered and reburied at whim –
- watch how it all vanishes
- re-appears
- and vanishes again –
- the widow sits alone, still and silent
- and watches the wind unbury and bury her husband,
- scouring his grave clean and filling it up
- with the silly rhymes of children
- dressing and undressing his memory –
- this is what the wind brings, grief and apparitions
- when will it be over, we ask our icons,
- while our children turn restless in their sleep
- dreaming of wolves and houses made of brick
- when will our journey be over
- are we there yet?
About the Poet:
Michael Oliver “Mike” Johnson, New Zealand, (b. 1947), is a poet, fiction writer, creative writing educator, lecturer and publisher. Johnson currently has over a dozen full-length novels, short story collections and books of poetry to his name.
Johnson’s teaching career spans over twenty years. Since the late 80s, he has taught creative writing in a variety of institutions and circumstances, at both undergraduate and graduate level. He currently teaches a Master of Creative Writing course at the Auckland University of Technology.
In 2013, Johnson and his wife Leila Lees established the Lasavia Publishing Company Ltd. Their most recent publication is an illustrated children’s poem, Taniwha, written by Mike Johnson and illustrated by Jennifer Racham. [DES-03/18]