Australia, (1959-1995)
The Universal Pig
- Some slow low shape slinks pink out of the blue.
- Lazy but cunning it comes round the bend.
- You think you see the pig before you do.
- Something puts the wind up the kangaroo
- Who bounds away to where the fences end.
- Some slow low shape slinks pink out of the blue.
- The dogs are raising hell at something new.
- It will be more than they can comprehend.
- You think you see the pig before you do.
- Roosters are sounding cock-a-doodle-doo
- As if the farmer’s knife had been sharpened.
- Some slow low shape slinks pink out of the blue.
- In the dairy the cows are nervous too.
- No gentle words can make the milk descend.
- You think you see the pig before you do.
- And in their pen the restless pigs look through
- The rails for the arrival of their friend.
- Some slow low shape slinks pink out of the blue.
- Do you think you see the pig before you?
Chopped Prose with Pigs
- There was one old barrel-size boar
- who just couldn’t hold off
- until the gate had been dragged open.
- On that evening, after milking,
- when we reversed down the lane
- with a load of reject peaches from the cannery
- this pig charged the electric fence
- like some quixotic warrior whose time
- had come. Knowing what the wires held
- he started screaming with metallic vigour
- way back before he got to the pain.
- We stood on the trailer in filthy stasis
- like two ham actors
- upstaged by a member of the audience.
- When it arrived the moment
- was wonderful. The scream
- went up to an ecstasy and the pig,
- soaking with mud, hurled and dragged
- itself frighteningly under the wires
- while at the arch of contact
- blue sparks burned into the twilight
- and into my memory.
- I had never seen so much intensity
- for so many small peaches.
- But pigs will eat other things as well,
- including their offspring, and you.
- There was a farmer up at Yabba North
- who came unstuck in a pen
- full of pigshit and duplicitous saddlebacks
- one ordinary morning in January.
- When they hosed out the place
- they found about half the things
- he had been wearing
- plus all the bigger bones.
- I saw his widow doing some shopping in town
- not long after the funeral.
- She was loaded down with supermarket bags
- and grief.
- Another time we found a bloated cow
- tipped over in a far paddock.
- The dead-cow truck wasn’t coming round
- so my father tied her to the tractor
- and lurched her down the lane
- like a small ship in a gentle swell.
- We stopped in the smell of pigs
- and while I rolled a cigarette
- he broke her into half a dozen pieces
- with an axe
- and threw them over to the pigs.
- When I went back early the next day
- I stood rolling another cigarette
- and looked at all the bigger bones
- and the pigs lying round in the innocent mud.
- It was one of those same pigs, a sow,
- who got out of the churned-up paddock
- and went down to the dairy one afternoon.
- In the passageway there was a cattledog tied up
- to keep cats out of the milkroom,
- but he didn’t worry about the pig.
- She got in there
- and tipped over an eight-gallon cream can
- and then licked it all up.
- We found her three days later
- lying very still in an empty drain
- with a relentless cream hangover.
- Her eyes were so bloodshot
- that whenever she opened them
- it looked like she would bleed to death.
- She recovered
- but later on she did go out that way.
- It happened early in the spring.
- I coaxed her into a single pen mechanically
- and smashed her between the eyes
- with a hammer.
- After pushing a knife through the jugular
- I rolled her to one side
- until most of the blood had pumped out.
- It spread across the concrete
- like an accident
- and made me think how the cream
- must have spread the same way.
- I scalded and scoured her thoroughly
- and when I hung her up
- and drew the knife down her front
- some of the guts pushed out
- like odds and sods from an overloaded cupboard.
- Reaching in for the rest
- had me disgorging handfuls of animal warmth.
- When the job was done
- I hoisted her out of catreach
- in muslin as clean as a bridal veil
- and threw the chopped shinbones
- to the cattledog.
- I can still hear him
- outside his tipped-over forty-four
- chewing them with a sloppy broken rhythm.
Three Pig Diseases
1. Baby Pig Disease
- The scene is like Nativity.
- A sweet clear night outside
- while in the shed the farmer shines a torch
- so that the vet, down on his hands and knees,
- can move each shivering handful
- closer to the row of teats.
- The mother, groaning on her bed of hay,
- seems beached beyond their knowledge or experience.
- Pressed up against the wall
- she stares into a painful distance.
- There’s nothing that the farmer or the vet can do.
- Life is offering itself from those teats,
- swelling, dripping, souring
- and the piglets just won’t drink.
- It’s like an obstinate belief.
- Over the next few days and nights they’ll lose
- what’s left of their reserves of glycogen
- and die, having only ever processed
- what was theirs from birth:
- a pattern clenching against growth.
- Almost obscured behind the field of light
- the farmer knows that it was useless to call the vet.
- So does the vet.
- But there are some rituals
- that must be carried through.
2. Erysipelas
- The farmer and his rifle lean quietly on the rails.
- Too late for penicillin.
- The Ag Department notice put paid to that.
- He should have acted earlier.
- He thinks he even knows the one who brought it in,
- the old Yorkshire boar he picked up at a clearing sale.
- Not that it matters now.
- The pigs are vomiting, if they feed at all,
- and on their skin
- are spreading reddish-purple wrinkled shapes.
- Each day a little more.
- The farmer thinks half consciously
- they’ve turned into salamis before their time.
- The image of a supermarket deli passes through his mind,
- a range of processed pigmeats,
- their piggy colours whole or sliced, bare or wrapped
- laid out on plastic trays behind the glass,
- all of it so cold and clean.
- He leans on the rails,
- which like everything else will have to be burnt.
- He stabs with a boot
- into the dirt, which will have to be treated.
- Over at the house the rest of the family
- is wondering if they’ll have to leave.
- It’s getting late.
- Loading the rifle for the first of many times
- he wipes the bullet through his hair,
- a habit handed down by his father,
- who always oiled a bullet or a nail that way
- before he banged it in.
3. Swine Dysentery
- The pigs are feverish.
- They’re shitting stuff that looks like porridge
- flecked with blood.
- The pens are full of it.
- The farmer bends down
- and carefully looks at what’s collected on his boots.
- His fear is that the texture there
- is bits of lining from the animals’ intestines:
- an appetite consuming itself.
- If dysentery has gone that far
- a farmer might as well just give the fight away.
- But here it’s not so bad, only a skirmish.
- He thinks about what happened
- to his father in the First World War,
- that line the Sergeant was reported to have said
- not long before the end,
- You really know you’ve had it when you shit your guts out
- and how the final letter home
- described the colours of the war.
- It said his father hardly ever saw blood red
- because the colours were mostly dull:
- drab uniforms, rank stews,
- and when the glossy liquids in a man spilled out
- they nearly always got mixed in with the mud.
- Like someone planting seeds,
- a man who hopes to start again after tragedy,
- the farmer makes his way along the churned-up troughs
- pushing in the pills of penicillin.
- By the time he finishes
- there’s still a generous handful of the pills
- left over in the box.
- When he thinks how much his pigs are worth
- these little powdery pearls cost bugger all.
- Cheap enough to waste on pigs,
- he says to himself as he walks away
- thinking about that family of drugs
- that might have saved his father.
The End of the Season
- The sadness of the cows
- is all too evident.
- Their heads are down,
- tears deepen their eyes,
- and when the farmer
- finally herds his herd
- into the milking shed
- he only gets a small
- nostalgic bucketful —
- the last one for the year.
- Too much imbued with loss
- to be used for butter
- the warm yellow milk
- is taken behind the shed
- and given to the pigs.
Second Thoughts on The Georgics
(excerpt)
- But when you talk about hygiene
- it’s pigs you have to be most careful with.
- They’re more susceptible to sickness
- and disease than any other farm animal
- (though they’re actually one of the cleanest).
- Make sure their pens have a concrete floor
- with good gutters and a decent fall
- so they can be washed out easily,
- and try to have weld-mesh separating them
- rather than timber, which can hold disease
- (and because, given half a chance, most pigs
- will chew their way out of a timber pen).
- No names, but back home one of our neighbours
- was into pigs in a pretty big way
- and the bugger did none of these things.
- So it wasn’t surprising when all his sows
- came down with a dose of leptospirosis.
- There was what they call an “abortion storm”.
- All the piglets were born prematurely
- and being weak they died soon afterwards.
- He treated the whole herd with streptomycin
- but obviously it was too late by then.
- He even tried burning the infected carcasses
- round the back of his machinery shed
- but that was just another balls-up.
- They didn’t burn very well and dogs
- carried pieces of them all over the district.
- You’d find some half-burnt bit of pig
- down a back paddock miles away,
- or worse, you’d find your three-year-old kid
- playing with one on the front doorstep.
- And of course what happened in the end
- was that other herds contracted the disease
- and people started getting sick with it too.
- Some farmers were laid up for weeks.
- All in all it was a real disaster.
- So you see, it’s not just boutique beer
- out on the verandah after the wool cheque.
- There’s any number of things can go wrong
- no matter what type of farming you do,
- and the only thing you can be sure of
- is that you’ll never get a fair return
- for all the hard hours you put in.
- They might be useful for writing down
- a bit of didactic pastoral stuff
- in the language that reminds you of home
- but that’s about where it ends.
- If Virgil was here I reckon he’d agree.
- Even keeping bees is a waste of time —
- better to take your honey where you find it.
About the Poet:
Philip Hodgins, Australia, (1959-1995), was a poet. His parents were dairy farmers in Katandra West, Victoria, and the experience of growing up on a farm in rural Australia would become central to Hodgins’s poetry.
In 1986, Hodgins enrolled at the University of Melbourne as a full-time student, and the same year published his first poetry collection, Blood and Bone, which won the New South Wales Premier’s Literary Award for Poetry in 1987. He was the the author of four more poetry collections and a verse novel before his death.
A skilful exponent of traditional poetic forms, Hodgins’s poetry often reflects on aspects of his personal experience, such as life and work in Australian rural communities, and on living with a terminal illness, in measured, unsentimental and sometimes stark imagery. His verse novella Dispossessed describes the last weeks of a poor rural family about to be evicted from their farm. [DES-02/18]