Australia, (b. 1945)
The Meatworks
- Most of them worked around the slaughtering
- out the back, where concrete gutters
- crawled off
- heavily, and the hot, fertilizer-thick,
- sticky stench of blood
- sent flies mad,
- but I settled for one of the lowest-paid jobs, making mince
- right the furthest end from those bellowing,
- sloppy yards. Outside, the pigs’ fear
- made them mount one another
- at the last minute. I stood all day
- by a shaking metal box
- that had a chute in, and a spout,
- snatching steaks from a bin they kept refilling
- pushing them through
- arm-thick corkscrews, grinding around inside it, meat or not –
- chomping, bloody mouth –
- using a greasy stick
- shaped into a penis.
- When I grabbed it the first time
- it slipped, slippery as soap, out of my hand,
- in the machine
- that gnawed it hysterically a few moments
- louder and louder, then, shuddering, stopped;
- fused every light in the shop.
- Too soon to sack me –
- it was the first thing I’d done.
- For a while, I had to lug gutted pigs
- white as swedes
- and with straight stick tails
- to the ice rooms, hang them by the hooves
- on hooks – their dripping
- solidified like candle-wax – or pack a long intestine
- with sausage meat.
- We got to take meat home –
- bags of blood;
- red plastic with the fat showing through.
- We’d wash, then
- out on the blue metal
- towards town; but after sticking your hands all day
- in snail-sheened flesh,
- you found, around the nails, there was still blood.
- I usually didn’t take the meat.
- I’d walk home on
- the shiny, white-bruising beach, in mauve light,
- past the town.
- The beach, and those startling, storm-cloud mountains, high
- beyond the furthest fibro houses, I’d come
- to be with. (The only work
- was at this Works.) – My wife
- carried her sandals, in the sand and beach grass,
- to meet me. I’d scoop up shell-grit
- and scrub my hands,
- treading about
- through the icy ledges of the surf
- as she came along. We said that working with meat was like
- burning-off the live bush
- and fertilizing with rottenness,
- for this frail green money.
- There was a flaw to the analogy
- you felt, but one
- I didn’t look at, then –
- the way those pigs stuck there, clinging onto each other.
About the Poet:
Robert William Geoffrey Gray, (b. 1945) is an Australian poet, freelance writer, and critic.
Gray grew up in a small town on the north coast of New South Wales and left school early to work on the local newspaper. Since the age of 18 he has lived in Sydney, where he trained there as a journalist, and since then has worked in Sydney as a , mail sorter, advertising copywriter and newspaper editor. For many years he was also a buyer for a bookshop and he has taught students, mainly in Shakespeare.
As a poet Gray is most notable for his keen visual imagery and intensely observed landscapes. His themes and forms show a response to nature that is reinforced by what he sees as a commonsensical Eastern view of man as within nature rather than an agent removable from, and capable of controlling nature. [DES-01/18]
Additional information:
- Robert Gray’s personal web site with a bio, poems and drawings.